Showing posts with label craft books. Show all posts
Showing posts with label craft books. Show all posts
Saturday, November 19, 2016
HAPPY ICE CREAM STICKS BOOK COVER
Here is the cover of the book I've been working on with my son and his Chinese girlfriend? The Bookworm Bookmark project that was previously posted is included in this book, along with 9 other crafts (for a total of 10).
Labels:
chinese,
Chinese translation,
craft,
craft books,
craft sticks
Wednesday, May 22, 2013
From Idea to Print: One Series' Tale, Part Three (It's a long story)
Part Three of the Three-Part Series: I told you it was a long story...
Anyway, before I was finished with the first four books in
the series, a couple of things happened. Mark Friedman left Grolier, Inc., so I
no longer had any contact with him. And, since things were progressing so well
with the first four books, I was offered a contract for another for books.
Woot! That was in April 2000. The contact was for EGG CARTON MANIA, PAPER CUP
MANIA, PIPE CLEANER MANIA, and PIE PAN MANIA.
I can't find the records, so I don't know the actual dates,
but a couple of other things happened before all of the books were done. As
mentioned before, my original idea was for a series of craft books for
6-to-12-year-olds using ordinary, household items for each craft. Sometime
after the series was approved, Grolier Publishing was taken over by Scholastic,
Inc. Sometimes when things like this happen, contracts that have been signed by
the previous publisher become null and void. The publisher still has to pay the
writer the agreed-upon advance royalties, but the books will not be published.
That's a real bummer and I was afraid that would happen to me. It didn't, but
Scholastic wanted to make some changes. They decided the series should be for
2nd-4th graders, and the books should be suitable for classroom use. And, they
wanted to emphasize recycling in the series.
So, even though I was relieved my series hadn't been
cancelled, I had additional work to do. First, I had to change the age level
for the projects in the books, so some of the ideas I had come up with wouldn't
work for the newly-chosen age group. I had already finished one book in the
series, and was starting on the second one when the changes were made. I had to
throw out some of the activities I had already written up for the first two
books, and adjusting my ideas for the rest of the series meant a fair amount of
re-writing was involved to bring all the activities into line with the new
guidelines.
And, my original idea was to use more than one type of
material to make the same type of craft project. For instance, I had ideas for
making different types of flowers using different materials like egg cartons,
paper plates, and paper cups. But the publisher didn't want the same type of
project repeated in any of the books, even if the materials used were
different. That meant I could include ONE flower project, but I had to choose
whether to have it for the egg carton, paper plate or paper cup book. I
couldn't use the idea in all three books. What this really meant was by the
time I got down to the last two books in the series, I was having a hard time
coming up with ideas for making things that I hadn't already used.
Oh, and the publisher also decided that instead of having
four books come out at one time and then four more books a year or so later,
they would launch the series with all eight books. Because of all the changes
that were made along the way, the books weren’t actually published for nearly
four years after I signed the original contract! Four years!
There were times when I questioned whether or not the books
would ever make it into print, but they did. They came out first in hard cover
editions, in 2002, and then in paperback, in 2006.
It was a long journey (and a long story!) from idea to the
finished product. I learned a lot. Now, I’m ready to do it again!!
Tuesday, May 21, 2013
From Idea to Print: One Series' Tale, Part Two (It's a long story)
Part Two of a Three-Part Series (I will post the last "episode" tomorrow):
My initial contact with Mark, the editor, was through snail mail. We both had email addresses so we corresponded mostly by email after the initial contact was made. Through a series of back-and-forth missives, the book proposal was sent to the publisher's editorial department for approval. In September 1998, five months after the first letter from Mark, I got an email saying my series concept had been approved by the editorial department. He said the next step was for him to submit a formal budget proposal and wait for its authorization before he could officially offer me a contract. The approval was given October 30, 1998, and I was offered a contract!!!
My initial contact with Mark, the editor, was through snail mail. We both had email addresses so we corresponded mostly by email after the initial contact was made. Through a series of back-and-forth missives, the book proposal was sent to the publisher's editorial department for approval. In September 1998, five months after the first letter from Mark, I got an email saying my series concept had been approved by the editorial department. He said the next step was for him to submit a formal budget proposal and wait for its authorization before he could officially offer me a contract. The approval was given October 30, 1998, and I was offered a contract!!!
I received the actual contract a few days later, but some
changes needed to be made to it before it was ready for both parties (myself
and the publisher) to sign. This is not usual. Just a note: A writer should
ALWAYS read the contact, ANY contract, carefully before signing. Often, things
are entered incorrectly, or not entered at all. And, some things in a publishing
contract are negotiable.
I didn’t have much experience in this area, so I asked a
couple of my friends, who were seasoned, published writers, to review it. They
pointed out a couple of things that needed to be changed. Through a series of
emails, the changes were proposed, approved and then implemented into the
contract.
When the contract was finally signed, I had work to do. I
had four books to write. Each one was to have 10-12 craft ideas. I was entitled
to a royalty of $1000 per book. The first $300, for each book, was paid to me
when the contract was signed and returned. The next $300, for each book, was to
be paid to me when the rough draft of each book was finished. And the final
$400, for each book, was to be paid to me when the final copy of each book's
manuscript was approved.
The publisher assigned me an editor to work with, Wendy
Mead. I submitted my ideas and written instructions to her. If she didn't
approve them, she would send them back to me for more editing and revisions. If
I was stuck on a particular craft project, she would help me come up with ideas
for it. She was very helpful. Together, we worked through the first four books
in the series.
to be continued...

to be continued...

Monday, May 20, 2013
From Idea to Print: One Series' Tale, Part One (It's a long story)
I am the proud author of a series of children's craft books, published by Children's Press in 2002, known as the "Mania Craft" books. They were given this designation as each title in the series has the word "mania" in it, as in MILK CARTON MANIA, CRAFT STICK MANIA, EGG CARTON MANIA, PIPE CLEANER MANIA, PIE PAN MANIA, PAPER CUP MANIA, PAPER PLATE MANIA, and CARDBOARD TUBE MANIA.
Here's the story of their creation:
Once upon a time I dreamed about writing a series of
children's craft books. Okay, it wasn't a fairy tale, although at times it
seemed like one. I thought about writing a series of craft books for kids. My
mom had always encouraged me to express my creativity by doing crafts such as
knitting, sewing and crocheting. But, she also was an early supporter of
recycling (this was in the 1960s) and making things with ordinary household
objects, like the paper tubes that are used for paper towel and toilet paper,
empty paper milk cartons, used aluminum pie pans, etc. So, I thought it would
be a great idea to have a series of craft books that used ordinary, household
objects so parents wouldn't have to go out and buy expensive things for their
kids to do the crafts with.
My original idea was for a series of four to six craft
books. They were aimed at ages 6-12, with the idea that the crafts would be
interesting for the entire age group. The oldest children could do the crafts
all by themselves, while the younger ones would need help from parents and/or
siblings.
I did some research on publishers who might be interested in
such a series. I had six publishers on my list. When I "queried"
them, in January 1998, I sent a letter saying I had an idea for a series of
children's craft books that would use everyday, ordinary household items and be
targeted to 6-to-12-year-olds. I included a couple of titles for the series, as
well as some craft ideas for one of the books, MILK CARTON MANIA.
A few weeks after I sent out my query letters, two
publishers rejected my idea outright. One sent me a letter saying they did not
accept unsolicited manuscripts or queries. One I never heard back from. And I
withdrew my proposal from one because I had received a letter from Mark
Friedman of Grolier, Inc. saying they were interested in my idea.
He wrote: "I do like your idea, and I am interested
in pursuing the initial stages of development with you. I presented the basic
idea today at an editorial meeting, and my staff greeted it enthusiastically.
It is now obviously just a concept, and the next step would be for you to
submit a more fleshed-out list of titles. For us to launch a series like this,
we would need about five or six individual titles as a minimum (I do not see
the series containing more than ten or 12 books)."
He then asked me to send him:
* a list of possible titles in the series;
* a sample table of contents, showing all the craft projects
that would be included in one of the titles;
* and two or three sample chapters showing the complete
texts of a few projects themselves.
Needless to say, I was thrilled with the letter. A real,
live editor from a major publishing company sent me a personal letter saying he
not only liked my book proposal, he wanted to pursue the concept and see if it
could work as a real series. Also, I was thrilled that I had a least a
better-than-average chance of actually getting my ideas into print.
But, I knew from reading articles about other writers'
experiences that just because a publisher likes your idea doesn't mean it will
go anywhere. I also knew that even if I sent all the requested materials, Mr.
Friedman could still reject the project if he didn't like what I sent him. And,
I knew that even if he liked what I sent, that was just the first step in the
process. I was very excited to receive such a letter, and thrilled to be given
such a wonderful opportunity, but I was nervous about my ability to actually
produce the series and scared that nothing would come of it after all my work.
But, I was optimistic. So I got right to work on the
requested materials. No deadline was given, but I knew the sooner I sent it to
him, the better.
The first book I had an idea for was MILK CARTON MANIA. So,
I sent the publisher a list of 12 possible book titles for the series (so
they'd have plenty to choose from), a sample table of contents with the names
of 30 possible craft projects to make with milk cartons - bird feeder, cat,
Halloween pumpkin, etc. - as well as the directions for five projects, complete
with line drawings and step-by-step directions. I even included an introduction
for the book.
to be continued...
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